Conversations around social justice and social awareness are more centralized in pop culture than ever before in 2019. In our fraught political climate, we have made a shift towards consuming art that is socially conscious, and we are beginning to hold our artists accountable for the intentions behind their work. So where in this approach do we canonise the long and troubled history of art which is purposefully shocking, debauched and intentionally immoral? Perhaps since man first daubed figures on cave walls, the greater purpose of art has been a central debate in societies throughout history and across the world. Across most cultures, we accept that art should serve some sort of moral purpose - it should enlighten us, educate us, comfort us or invigorate us – all of this, of course, relevant to the standards and moral codes of the society wherein the discussion is taking place. Running parallel to this set of beliefs therefore is the inevitability of art inciting moral panic –...
The posts on this blog fall somewhere between critical analysis and personal opinion pieces. Analysing film, music and celebrity through a queer/gender studies framework, highlighting the possible underlying queer subtext in some surprising places. Consider these posts as finished drafts, or 'essay Mk.1' - they all stand alone on their own merits, but I would love to return to all of these posts and expand them.